Anime Samplers - A Review of the Hyper Japan Special DVD

Now that I'm pulling double duties as a blogger and podcaster (here is an awesome link for sexy people http://thestillnothappypodcast.blogspot.com/ ) it seems reasonable to assume I might not get much time to tend to the needs of my Infinite Possiblogities fanbase. However it has been many months since my last post which is both ridiculous and unforgivable. Therefore I think it's only fair that I try and cram in as many posts as I feel I can get away with within the next week or so (remember when I used to update daily? Crazy times). First off the bat we have a review of the first episodes of six different anime series that I got for free with a special Japanese issue of Hyper Magazine. Now normally when I review anime and TV shows I like to review an entire season as a whole because I feel that reviewing such things on an episode by episode basis is very limiting and doesn't give much of an indication as to whether or not the series is worth your time. But unfortunately I don't have whole series here, just the first episodes. So my mini reviews will discuss what was experienced in the episode and whether or not I think the series has any potential to hold my interest. Who knows, I may even end up reviewing a whole series of one of these?

Freedom
Don't let the bland, uninspired name fool you, because Freedom actually IS bland and uninspired overall. The first thing I noticed was just how boring and dated the animation looked, which isn't normally something I pay any attention to so me noticing it and feeling the need to mention it should be taken seriously. But it didn't stop there because soon I actually found myself laughing at the facial expressions of the characters. Not only were they over the top but they were at times contextually inappropriate. Looks of shock would suddenly strike a characters face in the most mundane of situations. It's like the animators went to a lot of effort with the goal in mind to truely capture the essence of bad acting. I actually found it quite bizzarre. Storywise I was left mostly clueless which was only in part my fault for not paying attention. But from what I gather the story centers around a human colony living on the moon and futuristic car racing. It's one of those anime worlds where society as a whole seems built around a single hobby in the same vein as Pokemon or Yu-Gi-Oh. It also has that typical anime knack for just dropping you into the deepend with the plot and setting and assuming you'll pick it up as you go along in the series. Which is fine assuming it's done well and has managed to engage you enough to keep watching. But Freedom did neither. I mentioned before that I didn't pay a lot of attention to what was going on and that was with good reason. The fact was I was bored. And being bored and unengaged in the first episode of an anime series would have to be the biggest con you could possibly give. As far as potential goes I don't see a whole lot and I certainly won't bother chasing up the rest of the series unless it comes highly recommmended from a small group of sexy, bikini clad women.

K-On!
This is actually not the first I'd heard of K-On! (yes, the exclamation mark is part of the title) and I was actually relishing the opportunity to check out this anime. Whilst not exactly blowing my mind from the get go K-On! certainy shows some promise and it certainly shines like a star after Freedom. Storywise, K-On! is much more slow and deliberate; setting up relationships and developing characters from the beginning rather than making you feel like you may have actually missed the first few episodes by mistake (which is how Freedom felt). But despite this I understood the premise well and was left curious about where it will go.

Basically K-On! is about a group of school girls forming a band, only 2 of whom have any sort of established friendship beforehand. The band has 4 memebers, the enthusiastic initiator, her best friend who got dragged into it, the blonde chick without enough personailty to make me remember anything she said or did and the girl who can't play music but has comically been given the role of guitarist whilst she was searching for a club to join. As far as premises go it's not a lot but it's pretty solid and has the potential for comedy, drama as well as some slice-of-life-feel-gooderies. On top of that the soundtrack didn't seem half-bad either and considering it's a show about a high school band/music club it has a lot of potential to get better. Honestly, I'll probably check out the rest of it sometime soon.

Black Butler

Before I even begin talking about this one I want you to do something for me. I want you to consider that there is an anime series called Black Butler and just try and predict what kind of show it will be. Go on just try it.

Ok, well if you guessed it would be a creepy anime for goths about an effeminate but ruthless butler serving a pre-pubescent boy with mummy issues and a twisted moral compass then you get full points. You also get bonus points if you managed to guess that the show would also have some terribly painful comic relief support characters with the potential to ruin the whole damn show. Honestly I don't know why it is that any anime that sets out to be dark, sinister or even just intellectually stimualting they also feel the need to uncomfortably shoehorn in a bunch of irritating fuckwits to lighten the tone. Don't do it!

But that gripe aside the show seems like it might be ok, if a little sus at times. I mean just look at the pic on the right and tell me there isn't any paedophilia going on there. If that one pic isn't sus enough just google image the show and you'll see that the butler has this habit of suductively removing the white glove from his hand with his teeth. My podcasting pal Joey would have a field day with anyone unlucky enough to be caught watching this show around him. But I digress.

Ga Rei Zero
My initial thoughts of the show are exactly as follows "wow, this looks exactly like a scene from Ghost in the Shell: Stand Alone Complex. And so does that...and that. Oh wait the dialogue is shit and it has monsters in it, nevermind." Ga Rei Zero is another of those "what the fuck is happening?" animes that drop you right in the middle of the jargon and hopes you'll swim. But of all the animes on this DVD this is the one that left me the most confused. See the pic above and note the characters in it. I have never seen them before in my life. They weren't in the first episode (at least as far as I noticed). The characters I thought were the main characters in the first episode die at the end of it (pretty sure it doesn't count as a spoiler if it's the first episode hey). But other than looking like GITS and making me wonder what the hell just happened there is literally nothing compelling me to watch any more of this anime.

 

High School of the Dead
Another little activity for you. I want you to google image search this anime and find me a picture that isn't like the one above. There in an upskirt pantyshot literally the first minute of this anime. But given that it's a survival horror anime I can kinda let the odd bit of exposed flesh and breast wobble slide because it's what you would expect if a zombie epidemic broke out at a Japanese High School (where skirts are short and clothes are flimsy). Again I'd actually heard of this one before and was keen to see how it stacked up. And you know what it's actually pretty good. The plot is basically summed up in the name and it's got a nice balance of kick-arse action, drama and the necessary "what the fuck is going on?" factor that is actually appropriate in this case because this is the same question the characters are asking themselves. Of all the animes on this DVD this is the one I'm most keen to watch the rest of. Chicks' boobs jiggling about as they're kicking zombies in the head and exposing their underwear, sounds pretty good to me. Again, Joey will tease you for watching this, only this time it'll probably be worth it.

Rideback
Last on the DVD is Rideback. Rideback is about a girl who was an up and coming dancer following in her mothers footsteps until she tore a ligament and her life as she knew it ended. Whilst coming home from school or college or whatever one day she takes shelter from the rain in a shed where the "Rideback Club" assembles. A Rideback (pictured above) is a sort of transformer bike thing that can adopt a humanoid, bipedal stance. As the girl tries it out the Rideback kinda goes nuts and can't be stopped (for reasons that will probably be determined in episode 2) and whilst riding it's back (you ride on their back, Rideback, get it?) with dress billowing about in typical anime panty-flashing style she experiences the same joys she felt from dancing. That's pretty much all that happened in this episode but don't let that deter you. It may be a bit of a slow burner, especially when compared to everything else on this DVD, but its pace is perfect for the gentle human feel of the show and the gradual development of the characters. Nothing felt rushed or forced. Everything progressed naturally, which is a rare quality you often forget about until you experience it again. But what of the potential? Well that's actually an excellent question. The show really just ends with our heroine riding the Rideback through the air with a look of absolute joy across her face. I do want to know what happens next but to be honest I can't really tell what the series is going to do from here. The gentle pace and tenderness in the tone of the show certainly do a lot to recommend it and I'll definately check it out. But I can't really forsee what the overarching plot might entail and so the question of potential seems much vaguer to answer here.

So that wraps that up. Six different animes of varying genre and appeal, plus 20 "kick-ass anime trailers" that I really couldn'ty be arsed with. I expect maybe half of these will be blogged about again in much more detail at some point, perhaps I'll even refer back to what I said in this post. Anyway, that's one post down. Expect another one soon and keep your eye on this spot.

The Great Podcast Experiment

For those of you who are interested my friend Joey and I have finally gotten around to that podcast. This is our first time so forgive the loose format and bear in mind that Joey had a bit of a cold at the time of recording and so his voice sounds a little unclear. Also our friend Kyle talks in the background a few times and chances are you won't hear him, so bear this in mind because we do address what he says on a number of occassions. Anyway I hope you enjoy it. Constructive feedback is welcome.

  (1) Birdface and Bearman by Angus Vodes Baillie

Thor

Here is just a small sample of some words that rhyme with Thor. Bore, abhor, snore, chore, poor and Norse Folklore. Now, having read that I want you to try and deduce my critical opinion of the movie Thor. Oh go on! Don't just sit there waiting for the answer. You've done it? Good. Thor is shit.

A number of times previously in this ancient tome some people call "a blog" (and others call "are you still writing those?") I have touched on the idea that DC comics seem to produce better shit than Marvel comics. Now if I were a Marvel supporter I would be very careful about mentioning this movie in any argument because it has very little to recommend it. If I had to sum up the plot, which let's face it I DO because the alternative would be to reproduce the script, I would say it's about a prick living in a kingdom populated entirely by mythological Norse pricks who gets stripped of his powers and banished to Earth for being too much of a prick. OK so that's a kind of shitty summary but that's essentially it. Thor is the son of Odin who is a little too keen to assert his dominance against the Ice Giants. His father forbids it for sound diplomatic reasons and Thor chooses to gather a crew of adventuring buddies to storm the Ice Giant's home and exact brutal revenge for making Thor look like a war hungry, arrogant dickhead. I particularly "enjoyed" the hasty and lazy characterization of the war buddies as Thor set a minute of screen time aside to go to each in turn and list their name, rank, specialty and fondest childhood memory. It was the biggest shock for me to see that his band of merry men actually consisted of one young, hot, nimble woman in skimpy tight leather who would then be characterized as "the woman." But it was all for naught really as each of these characters probably only has about 10 minutes of screen time and enough dialogue between them to fill a single script page. AND they probably had to share it.

So to the absolute shock of nobody Odin is quite displeased with Thor and decides the best thing to do would be to strip him of his magical hammer and throw him through a wormhole to Earth along with the hammer, that he will not be able to use until he (do I even have to say it?) PROVES HIMSELF WORTHY. Which I suppose sounds perfectly functional but basically means that the superhero in this superhero movie has no powers or abilities for most of the movie, which as far as mistakes in superhero movies goes is pretty, pretty, pretty, pretty big. "So what do we fill in the other 80% of the movie with?" I hear scriptwriter A pontificate. "Clumsy love interests? Vague science stuff? Fish out of water comedy antics? Secret government branches?"
"How about all those things?" says scriptwriter B.
"Nah" replies scriptwriter A "I think we need to make things a little more focused than that."
It was at this point that the director, obviously drunk and sleeping with scriptwriter B, walks in a beats scriptwriter A to death. So yeah 80% Thor is essentially packing foam for a flimsy, fragile plot that still manages to break. The aforementioned secret government business is perhaps the most baffling part. Does America have a branch in the secret service devoted to the science behind interstellar hammers? Because after the hammer is found, lodged King Arthur style in a rock, there is a massive labyrinth of plastic domes and quarantined zones set up around it within a day or so. There are scientists scanning it on computers, looking at it though different heat and colour spectra. What the fuck is going on exactly?

Perhaps the biggest surprise I got from Thor came days later when I read the wikipedia article and discovered it got "generally favourable reviews." I was geniunely baffled and shocked by this news. That is, before I read closer and discovered that the people who reviewed it favorably are those kind of "critics" that work for The Hollywood reporter and prefer to fellate the film with fad sentences like "kicks off this superhero summer with a bang." Which isn't a review as much as it is a stale piece of marketing. But actual, proper critics like Roger Ebert who can still spot a pile of shit after the polishing, gave it the negative write up it deserves, which comforted me immensely. The fact of the matter is Thor as a movie was unfocused and boring. The story can be summed up as 114 minutes of an idiot getting his magic hammer back.Which could be forgivable if it wasn't relying so heavily on the development of characters that you couldn't possibly care about. If you manage to stick around after the credits they have some little bit with Samuel L. Jackson that's supposed to get us excited because "Thor will be back in The Avengers." Great, well I definitely won't be watching that then.

The Great Gatsby

You know it occurred to me recently that for all my critiquing and bitching about movies, TV, anime, games and life in general I've never really dealt with books in any meaningful way. I guess I find books and music a little harder to talk about because they seem like much more personal things. Also I've become extremely slotheful when it comes to reading books, which I blame on the aforementioned mediums which are consuming my life hastily and aggressively like a fat man on a half-hour lunch break. Or your mum in a circle of naked men. So in order to embrace a new medium I'm going to ignore your mums persistent phone calls and saddle up for The Great Gatsby, which happens to be the book I finished last night.

So reviewing what many people with a brain consider to be a classic may seem lazy. Because I can easily just say "yeah it's pretty good and well worth reading" and get back to Facebook without any concern for opposition. But I like to think I'm better than that, even if I'm not. So whilst not budging from the stance that The Great Gatsby is also "the great book" I'd like to actually discuss the books artistic merits and what personally interested me about the book.

I'll keep the plot synopsis brief to avoid spoilers as best I can. So the year is 1922 and we're in "the Roaring 20's" when the USA was enjoying the giddying highs of a soaring economy. The protagonist and narrator has moved into a rental house on Long Island next door to a Mansion owned by a man named Jay Gatsby; a legendary local figure who frequently throws extravagant parties and is the subject of gossip, speculation and rumor. Actually it is interesting the way the character of Gatsby is introduced into the story through the speculations of another character, so that when Gatsby does make his first legitimate appearance the reader is able to share the sense of awe and curiosity that grips so many of the locals in the novel. Upon meeting Gatsby and growing closer to him it is soon revealed what motivates him and it is here that the story really starts to get interesting.

So the plot may not sound like much and to be fair for a good hunk of the book it isn't. But it's the sudden depth the book has that I found particularly interesting. In the last chapter especially the true natures of the characters is revealed and many established expectations are turned on their head. It's quite disturbing and perhaps even shocking the way in which we suddenly see the world for what it really is and to my complete amazement I was left feeling lost and sympathetic in regards to the tragic turns of the novel. If I had to sum up The Great Gatsby in a crude, oversimplified way I'd almost be tempted to compare it to a soapie. This might sound like a flaw, especially from me, but I mean it in the sense that it spends most of it's time developing characters through entwined romances and everyday social conflicts but then delivers big on the season finale when it decides to knock it all down before us with a boating accident or a wedding massacre. Of course this is executed in a way that is far beyond the quality of any and all soap-operas and will likely leave an impression that will last well beyond the final page. Interestingly enough the book didn't sell particularly well during the authors lifetime and despite it's now classic status F. Scott Fitzgerald died thinking it and himself a failure. Knowing that the tragedy of the art would later be reflected in the tragedy of the artist adds to the impact of the novel and gives me a massive literature context stiffy. So if you feel a strong connection to my stiffy and feel we share similar stiffy inducing values I highly recommend you read The Great Gatsby by F. Scott Fitzgerald. It will blow your load, uh, I mean "mind."

*coming soon: I will be reviewing Thor (movie), Skip Beat! (anime) and de Blob 2 (videogame). They should be funnier than this.*

I Need a Doctor, Dr.Dre and Detox

So yeah I kept my fans waiting a couple of months. But you know what? That's nothing at all compared to how long Dr. Dre  has kept his fans waiting for his next album. Shortly after the release of his insanely popular 2001 album (which retardedly enough was released in 1999) Dr. Dre announced his next and final album Detox. This would prove to be a massive mistake on Dre's part because it's now 2011 and the Detox doesn't have so much as a fucking release date. Just in case you can't fully take in the scope of this massive wait I'll outline some facts for you. From the time Detox was announced to the present time as I write this post Eminem has recorded his greatest album ever (The Marshall Mathers LP you moron), 2 follow ups that got progressively worse, had his best friend die, become addicted to prescription drugs, gone on hiatus, sobered up and made a musical comeback releasing two albums and then reuniting to record an EP with Royce da 5'9" as a duo called Bad Meets Evil (which is a must have rap album in my books). So in other words whilst Eminem has had a rather busy ten years Dr. Dre has been dicking around, not being satisfied with anything. Early this year a single off the album was finally released called "I Need a Doctor" and features Eminem and an up and coming female artist called Skylar Grey (youtube some songs of hers, she's well worth a listen). Anyway here is the official clip for "I Need a Doctor."

OK I'm sorry. Dre hasn't been fucking about at all but has instead been busy staring dreamily at the ocean, watching the crashing waves and driving dangerously fast in his extremely expensive car trying to escape the pressure that he foolishly brought upon himself when he announced his album WAY TOO EARLY! Now I know a lot of people who think this song is rubbish and quite frankly I don't blame them. But I actually kinda like it. It's catchy and has some good flows in it but I can't quite escape the knowledge that this song is essentially Dr. Dre trying to drum up excuses and sympathy. "Feel sorry for me I've been in a metaphorical coma." Look Dre, if you've had enough time to get ridiculously buff then you've had time to put out Detox. I mean just look at him, he looks like a coconut perched on top of a fridge.

Now lots of people are often surprised to learn that I'm actually quite into hip-hop music and for several years in my early to mid teens that was pretty much all I listened to. But even the lightest of rap inquisitors were familiar with Dr. Dre 2001. It played at pretty much every party I ever attended for a few years. Not just a track or two either, but often the album would just be left on to play out in its entirety. Sure, upon reflection it wasn't "the best" rap album floating about at the time. But it was simple, tight, catchy, gangsta rap fun. So this was my personal experience with that album and I've since met other friends with very similar experiences. I bring all this up because one of my friends pointed something out to me and I actually think he's 100% right. And that was this; there is no way that Detox can be better than 2001. Why? Well because even after you strip away the decade of hype and expectation that cannot possibly be met the fact remains that we are all adults now and no party we attend will ever play Detox the same way our teenage parties played 2001. Detox might very well be good, great even. But the majority of the population will probably view it negatively because of the long wait and it's inevitable failure to compare with the nostalgia surrounding 2001. It's very much like the situation I find myself in; no matter how good this post might have been nobody will ever say it was worth the wait.

The Quiet Before the Storm

Fucking hell it's been about 3 months since my last post. That's bad even by my standards. So yeah exams have come and gone but it seems that instead of starting my blog up again afterwards I decided to go out and live my life a little, what of it? Actually I don't know what I've been doing really. Deep down inside I've been searching for both the motivation to write and a topic worthy of my comeback. In the end I found nothing and will now instead opt for grovelling for an apology. Funnily enough I ended up playing some more Red Dead Redemption with my friends during my hiatus. Not on multiplayer or anything, just fucking around in single player and sharing the glory. I must say I ended up having more fun fucking around in that game than I imagined I would, probably due to the fantastic company I was keeping at the time. But nevertheless I've decided to ever so shakily force one additional thumb into the "up" position for Red Dead Redemption and admit that there are some decent, non-story-related distractions in the game (fuck you Lobo the Wolf).

Anyway, as all my apology posts are, this post is just a quick update letting you know that I have now remembered that I actually have a blog and have once agained renewed my commitment to it. I would also like to take this opportunity to announce another project I will be involved in with a good friend of mine. My friend Joey and I are going to start doing what will hopefully be a regular podcast together. At this point we're not sure how it will go, what topics it will cover or even what we'll call the blasted thing. But I like the idea of having my own personal rants about things juxtaposed by Joey's, so anyone out there who thinks my opinions are shit and I need to be shut down at times will perhaps want to have a listen once the thing is finally recorded and up. I'm really looking forward to it. We're ultimately not sure where we'll post the files once they're done but I'll be certain to put a post up on here when we do.

So don't give up on me just yet kids. Daddy still loves you, he just had to go away for a while. But daddy's back now and I promise I won't leave you, or your mother, ever again.

Red Dead Redemption

Just in case you were worried about me blogging about something up to date and cool todays blog post will be a review of a game about one year old that I only just got around to finishing.So let me take you back a couple of months. When it came to doing the obligatory "Best of" list for 2010 many a respected gaming publication placed Red Dead Redemption somewhere dangerously close to the top. Now as many of my more avid readers, stalkers and close friends will know my favourite game of 2010 was (by a fucking lot) Bayonetta, which many "respected gaming publications" put on the lower end of said list. In fact as far as I saw the only gaming media to give the GOTY to Bayonetta was the Australian gaming magazine Hyper, which instantly reminded me why I opt to still buy magazine's when the internet is so convenient and cheap. So kudos to you Hyper, because Red Dead Redemption is most certainly not better than Bayonetta.

Let me get one thing clear from the outset. I liked Red Dead Redemption. Just keep this knowledge nestled safely in the deep recesses of your mind as I go forth and tell you exactly what Rockstar did wrong, because despite the massive list of flaws I found in the game the overall experience was a positive one. So let's assume you are extremely out of touch with mainstream gaming and want to know what Red Dead Redemption, one of the most popular titles of 2010, is about. Well then my cave dwelling friend, RDR is best described as a cowboy game in which you, John Marston, must track down and kill all your old lawbreaking buddies in exchange for your families safe return. That's essentially the entirety of the games plot, which is nice and simple with a clear goal but somehow the game managed to make me forget this along the way. There was a point in the game where John was in Mexico working for both the rebels and the oppressive government at the same time and I had completely forgotten why I was doing any of this stuff. The sincerity of your motivations get blurred and muddled somewhat along the way in this story. In cutscenes John is often seen strongly resisting morally dubious missions and questioning the reliablity and integrity of the people who he sides with but at the end of the day he'd just follow orders like an old sheep, completely shedding all doubts and emotion he'd just expressed. It ironically inhibits the feeling of freedom the game is so desperate to give you through the mutiverse of crappy side games you can partake in like blackjack or wild horse taming. This is because you, as the player, are forced to sit back and watch as your character does something you know is incredibly stupid as you remain powerless to help. This is a character you are supposed to have control of, that's why you're called "the player!"

I felt the story itself, although overall pretty good, was told in completely the wrong order. At the start of the game you're more or less dropped into the middle of some mission and it's not for another hour or so that you start to understand just who the fuck you are and what the fuck you're doing. On the other end of the specra, the last couple of hours of the game drag themselves out unneccessarily long in order to hastily develope some of the main characters before the big climax. This might sound reasonable if your were to look at it purely from the storytelling point of view but this affects gameplay too. Essentially it means that having just spent the majority of the game in epic gunfights you are now forced to play through a rather lengthy sequence of cattle round ups and fetch quests which play out exactly the fucking same as the tedious tutorial missions from the start of the game.

This somewhat roughly brings me to my next topic, the gameplay. At best the gameplay is adequet; you aim your gun at things you want to kill and hide behind things when you don't feel like being shot anymore. At worst the gameplay is somewhat sticky and imprecise. Character movement in general is in desperate need of a complete overhaul. Trying to run between cover or indeed run to a ladder and briskly climb it is almost guaranteed to frustrate you. This is because John's reactions feel quite delayed and navigating him into the exact position in which the game will allow him to climb a ladder or take cover can be incredibly frustrating. This aspect of the gameplay is pretty hard to express with words, but if you've played Grand Theft Auto IV you should know exactly what I mean because RDR plays in exactly the same way. What isn't so hard to explain is the day and night mechanic. You see as you play RDR the time actually passes in the game world as well, albeit considerably faster. During the day the world is your oyster for you to skip gayley through shooting outlaws and looting their bodies. But come nightfall the shops shut and most of the missions become unavailable due to plot important characters being asleep. Fair enough you might think, that's certainly more realistic. But what this means is that the game forces you to find something to do while you wait for the next piece of the story to become available. Yeah that's right, while you kill time playing this game your character kills time waiting for the next job. It's totally meta...in a completely retarded sort of way. Granted, you can skip ahead 6 hours or so if you're in a fairly specific location and the game's in a good mood but sometimes getting to these spots puts you considerably out of your way. It's this stupid situation in which I have to make a big journey out of my way just so I can set up camp, skip ahead to daylight hours and go back to where I was in the first place so I can progress in the story. I suppose this is the games way of encouraging me to participate in all the card games and flower picking I had been ignoring all this time. Which brings me to my final, overall criticism of Red Dead Redemption.

In short, this game is way too big. It's not the healthy, physically fit kind of big that makes ladies weak at the knees. It's a flabby, wheezing kind of big that stands behind you in the line at McDonalds breathing heavily and moistly down your neck whilst you try to ignore it and avoid eye contact. My initial statement still stands, I had fun with Red Dead Redemption but the fun is burried and hidden amoungst the over-reaching ambition to create a game with massive scope. I know a lot of people have trouble understanding why a game giving you more stuff to do is a bad thing so let me put it like this. If I were to stuff an entire box of fine Belgian chocolates into my mouth I wouldn't be enjoying it more than if I'd had just the one. This is because I'd be choking, and the negetive feeling of danger coupled with impending death far outweighs the good feelings of tasting something yummy. For me the fun in Red Dead Redemption was there, but it was definately stuggling to breathe.

P.S. welcome to exam time bitches! I daresay posts will be scarce for the next month or so as I desperately try to get all my course work done. I know you guys will be patient. You'd have to be to stick with this shit regularly.